I love music. Have loved it since I was quite young. I seldom sang where someone could here me, primarily because my family told me I couldn’t sing.

            My bedroom was the only place I felt comfortable singing, always in a soft voice. Unfortunately, I shared the room with my younger sister. That meant that I could only sing when she wasn’t in the room. And because she knew how to annoy me, she’d pop in whenever she heard the door close.

            We had a backyard, though. I started going outside whenever the dog was there, to keep her company (she was like a therapy dog long before there were such things). That worked only as long as it wasn’t raining or foggy, and since the house was up on Skyline Boulevard in San Bruno, it was often in fog.

            I took to walking the dog, carrying a small radio. I’d sing as we strolled up and down hills. One day, lost in song, I didn’t see the loose dog charging mine. I picked up Lady Coco and cradled her to my chest as the evil monster leapt up, over and over, trying to kill her.

            Because I was miserable at home, I had to get out of the house every day, usually at least twice a day, to give myself to calm down, to let the tears dry up, to settle my stomach. Even though Coco had been close to being killed, I wanted, no needed, to walk her.

            I left the radio behind and carried a wooden baseball bat. My music wasn’t with me, so I couldn’t sing.

            I traded my sanity for safety. I never regretted the choice.

            I didn’t sing again for many years. Well, until I bought my first car and found radio stations I liked. As long as I was alone (I frequently was forced to drive my sister places), I could sing.

            I never took a music class in high school or college. I never joined the church choir. I never sang on camping trips. And when my husband gave me a guitar for Christmas one year, I never accompanied myself.

            My first real teaching job was at a Catholic Elementary school. Teachers attended many workshops and seminars, dealing with a wide range of topics. Most were sort of okay. Not earth-shattering.

            Then we all went to the Cathedral in Oakland for three full days of music, services and workshops. Well known writers attended, singing tracks on their albums. Oh, how I loved those sessions!

            Music came back, full blast. I began singing, at church, with my students, to music in my car and at home. (I was now married, to a wonderful man who encouraged me to try everything.)

            Our church formed a small choir to sing at our Mass. I sat near the pianist, singing along. A friend convinced me to join. I did, but sang in a whisper, terrified that I’d hit a gazillion bad notes.

            The numbers of participants varied widely. Sometimes there might be six, others just two. Then one Mass it was just me. The time had come for me to raise my voice and sing.

            I’m not sure how I summoned the courage, but I did. Not just for that one Mass, but for many to come. I was often a soloist, leading the congregation in the psalm (standing up front at the podium).

            I did okay.

            Then that choir director was replaced with a very, very young overconfident, full of himself director. He did an excellent job encouraging people to join. He taught us how to really “read” music, to follow the symbols for dynamics, to blend voices.

            All was going well until we held a session at a choir member’s house. I was scheduled to be the cantor at Sunday’s Mass. During a break, I approached the director to go over the psalm. He informed me that I couldn’t sing, that I had to get rid of the vibration in my voice.

            I felt me cheeks get hot, packed my bag and left.

            I didn’t return to the choir until that director was replaced with a smiling, pleasant, encouraging young man.

            He made me feel welcomed and valued. I returned to cantoring the psalm and was often the only choir member (during the pandemic when we held Mass in the school parking lot.)

            He left for a new job.

            The new director brought a soloist with an incredible voice. She only seemed to know about four songs, the words were never projected for the congregation to see, and he made no attempt to form a choir.

            He left suddenly a few months ago. The new director, another young man, this one a graduate in Music, started a choir. I joined shortly after.

            A week ago he asked me to cantor the psalm. Just the thought of singing up there, in front of the congregation made my head hurt. He encouraged me, met me privately to go over the psalm.

            Sunday came. I practice out in the garage, going over and over the psalm. I knew I wasn’t ready, I knew I wasn’t hitting the right notes, and I knew I was too scared to do it.

            When I arrived at church, I should have said something, I should have declined (there were two seasoned cantors there who could have taken over) but I didn’t.

            Two of my friends recorded my “performance”. I didn’t have to listen as I knew every off-key note I’d hit.

            The humiliation was so great, so painful, that I could barely walk out of church.

            The intent was to add me to the rotating list of cantors. When rehearsal comes up Friday, I will announce boldly, clearly, without hesitation that I will never, ever cantor again.

            I will sing with the choir, where I feel both comfortable and confidant, but my days of being a cantor have come to an abrupt end.